Vasilis MoschasBirdThe colour of the sky is a mixture of purple and grey, liquid and dark, constantly changing. The clouds cross the sky like a hastening…Feb 19, 2021Feb 19, 2021
Vasilis MoschasFarm at WatendlathTate Britain’s room 1910 is dominated by Stanley Spencer’s The Resurrection, Cookham 1924–7, a grandiose and crowded painting hanging at…Jan 30, 20211Jan 30, 20211
Vasilis MoschasFor the Love of Amateurs“In the best of all possible worlds, art would be unnecessary. Its offer of restorative, placative therapy would go begging a patient. The…Oct 9, 2020Oct 9, 2020
Vasilis MoschasLead WhiteZarina Bhimji’s work explores colonialism and its legacies. Lead White is an installation comprised of embroideries and photographs: a…Jan 31, 2020Jan 31, 2020
Vasilis MoschasChopin’s Heart‘Fryderyk Chopin had always said he wanted to be buried in his native land, and because he knew perfectly well that he was dying, he had…Jan 22, 2020Jan 22, 2020
Vasilis MoschasTHE FLOATING ONEWorld War One was the first truly global war. Countries from all continents lost lives on an inconceivable scale and vast ruins were left…Oct 9, 2018Oct 9, 2018
Vasilis MoschasOUT DEMONS OUT“Out infantilised giant of yesteryear Cast out, call out these demons, out all the vestiges”Oct 9, 2018Oct 9, 2018
Vasilis MoschasThe Archive, the Future and Nostalgia in the works of Ilya and Emilia Kabakov and Jorge Luis BorgesInspired by Tate Modern’s exhibition ‘Ilya and Emilia Kabakov — Not Everyone Will Be Taken Into The Future’, I considered how ideas behind…Feb 20, 2018Feb 20, 2018
